NOTES ON
THE SPOTIFY PLAYLIST (Revised May 3, 2024)
1. The playlist includes every exposition
repeat (or other repeat) that Brahms indicated. That was
one of my most important criteria.
2. In spots that require gapless playing between
tracks (such as a few of the variation sets and the cantata Rinaldo),
Spotify does a very lovely job (unless you use the free
version and it’s time
for an ad).
3. Both the original and revised versions of the Op. 8
Piano Trio are included (these are essentially two different
pieces).
4. The Ave Maria, Op. 12, is given in two versions,
one with orchestral and one with organ accompaniment.
5. The piano solo arrangement of the second movement
from the Sextet, Op. 18, is included after the entire Sextet
itself.
6. The Piano Quintet, Op. 34, is followed by its
arrangement as a Sonata for Two Pianos, Op. 34b.
7. There are four (somewhat confusing) versions of the
Waltzes, Op. 39. The first sixteen tracks are the
original version for one piano, four hands. These are
followed by two tracks, the standard, more “difficult”
solo (two-hand) version. There are then 16 tracks for
the “easy” solo
version. Finally, there are five tracks for the waltzes
Brahms arranged for two pianos, four hands. These are
numbered 1-5 here, but they correspond to Nos. 1, 2, 11, 14,
and 15 of the other three versions.
8. The Liebeslieder Waltzes, Op. 52, are included in
the main version for piano duet with vocal quartet as well as
the version for piano duet without voices, Op. 52a.
9. The Haydn Variations for orchestra (Op. 56a) are on
a single track. The Haydn Variations for two pianos (Op.
56b) are on ten tracks.
10. The Neue Liebeslieder Waltzes, Op. 65, are
included in the main version for piano duet with vocal quartet
as well as the version for piano duet without voices, Op. 65a.
11. The Romances and Songs, Op. 84, are included in
two versions, one for solo voice and one for vocal duet.
These pieces are indicated as being “for
one or two voices.”
12. The Six Songs and Romances, Op. 93a, are followed
by the Tafellied (the drinking glee), Op. 93b.
13. The 11 Zigeunerlieder (Gypsy Songs), Op. 103, are
included in the quartet version as well as in Brahms’s
arrangement of Nos. 1-7 and 11 for solo voice and piano.
14. Each of the clarinet sonatas, Op. 120 Nos. 1 and
2, is followed by the version for viola. Despite the
descriptor as “clarinet
sonatas,” the
Zukerman/Barenboim recordings are the viola version.
15. Most of the works without opus number that have
been given “WoO”
numbers (German Werke ohne Opuszahl--Works without Opus
Number) are in the playlist after the opus numbered
works. The Hungarian Dances (WoO 1) are given in the
original piano duet version, the first ten arranged for solo
piano, and three arranged for orchestra. WoO 19 and
36-38 are not available on Spotify (only one recording
exists of these, and it can only be obtained in a now
out-of-print version of the Brilliant Classics Complete
Edition).