NOTES ON
            THE SPOTIFY PLAYLIST (Revised May 3, 2024)
            
          
      1. The playlist includes every exposition
          repeat (or other repeat) that Brahms indicated.  That was
          one of my most important criteria.
          
          2. In spots that require gapless playing between
          tracks (such as a few of the variation sets and the cantata Rinaldo),
          Spotify does a very lovely job (unless you use the free
          version and it’s time
          for an ad).
          
          3. Both the original and revised versions of the Op. 8
          Piano Trio are included (these are essentially two different
          pieces).
          
          4. The Ave Maria, Op. 12, is given in two versions,
          one with orchestral and one with organ accompaniment.
          
          5. The piano solo arrangement of the second movement
          from the Sextet, Op. 18, is included after the entire Sextet
          itself.
          
          6. The Piano Quintet, Op. 34, is followed by its
          arrangement as a Sonata for Two Pianos, Op. 34b.
          
          7. There are four (somewhat confusing) versions of the
          Waltzes, Op. 39.  The first sixteen tracks are the
          original version for one piano, four hands.  These are
          followed by two tracks, the standard, more  “difficult”
          solo (two-hand) version.  There are then 16 tracks for
          the “easy” solo
          version.  Finally, there are five tracks for the waltzes
          Brahms arranged for two pianos, four hands.  These are
          numbered 1-5 here, but they correspond to Nos. 1, 2, 11, 14,
          and 15 of the other three versions.
          
          8. The Liebeslieder Waltzes, Op. 52, are included in
          the main version for piano duet with vocal quartet as well as
          the version for piano duet without voices, Op. 52a.
          
          9. The Haydn Variations for orchestra (Op. 56a) are on
          a single track.  The Haydn Variations for two pianos (Op.
          56b) are on ten tracks.
          
          10. The Neue Liebeslieder Waltzes, Op. 65, are
          included in the main version for piano duet with vocal quartet
          as well as the version for piano duet without voices, Op. 65a.
          
          11. The Romances and Songs, Op. 84, are included in
          two versions, one for solo voice and one for vocal duet. 
          These pieces are indicated as being “for
            one or two voices.”
          
          12. The Six Songs and Romances, Op. 93a, are followed
          by the Tafellied (the drinking glee), Op. 93b.
          
          13. The 11 Zigeunerlieder (Gypsy Songs), Op. 103, are
          included in the quartet version as well as in Brahms’s
          arrangement of Nos. 1-7 and 11 for solo voice and piano.
          
          14. Each of the clarinet sonatas, Op. 120 Nos. 1 and
          2, is followed by the version for viola.  Despite the
          descriptor as “clarinet
            sonatas,” the
          Zukerman/Barenboim recordings are the viola version.
         
         15. Most of the works without opus number that have
            been given “WoO”
            numbers (German Werke ohne Opuszahl--Works without Opus
            Number) are in the playlist after the opus numbered
            works.  The Hungarian Dances (WoO 1) are given in the
            original piano duet version, the first ten arranged for solo
            piano, and three arranged for orchestra.  WoO 19 and
            36-38 are not available on Spotify (only one recording
            exists of these, and it can only be obtained in a now
            out-of-print version of the Brilliant Classics Complete
            Edition).